Latest Headlines

Peter Hook: Atmosphere (Live)


Joy Division‘s eponymous debut album, Unknown Pleasures, came out in 1980 and therefore Peter Hook, bass player and I am beginning to assume primary song writer, decided to throw a 30 year anniversary tour to commemorate the album. This small Unknown Pleasures revisited tour featured a backing band whose members very likely weren’t born at the time of the album’s release with Hook taking the vocal duties long vacated by Ian Curtis. You heard me right, Peter Hook, Joy Division bassist, taking on the vocal duties. Needless to say, no other former member of Joy Division was involved. I suspect they thought exactly what you are likely thinking right now; “this sounds like a very bad idea”.

Even at the risk of missing Killing Joke playing the same night at a different venue, I decided last minute to see this potential cringe-fest. Here is my takeaway from the show:

I bet Peter, now well into his 50s, hatched this ideas just about the time that he thought it would be a good idea to buy a motorcycle, if you know what I mean. It seems that back in the late 70s when Joy Division was formed, a teenage Peter Hook was simply hoping to join a rawkus testosterone fueled punk rock band. The early Joy Division singles met that description but with the talents of producer Martin Hannett and vocalist Ian Cutis along with the other band members, Joy Division quickly evolved into an icy post-punk band whose success and brilliance swept up Peter Hook and thereby trumped his idea of joining a little punk band. Before he knew it, after the suicide of Ian Curtis, Peter and the remaining members were trying to move on and quickly found immediate and massive success in defining keyboard-based dance new wave with New Order – again his rock ‘jones’ would have to wait. My guess is, and this is pure unsubstantiated and utterly unresearched speculation, that 30 years on, after all of the dust of decades of involvement in successful and wildly transformative bands, he realized in his mid-life crisis that all he really wanted to do was grow a faux hawk, pump his fist in the air, and rock out with one foot on the monitor. And that is pretty much what he did for this show. In sum, I suspect what this particular tour was about reliving why he might have joined a band in the first place.

As far as I am aware, this is the first time I have heard Peter Hook take on vocals in any band, yet his voice is shredded as if he spent 30 years being a chain-smoking Johnny Rotten, not the bass player for two subdued New Wave bands. Did Peter Hook shred his voice over the past 30 years screaming in the shower the Joy Division and New Order songs as pub screamers as he always hoped and envisioned they would be?

Peter Hook made no effort (thankfully) of acting or sounding like Ian Curtis and reinterpreted the songs as loud guitar rock along with his thumping base lines taking lead and with synthesizers taking a conspicuous backseat. I can’t say to what an extent this undertaking was a success or not, but it made for an interesting night out.

Here is Peter Hook, doing as part of the encore Joy Division’s final released single “Atmosphere”.

Your thoughts? Inspired or Insipid?

Download: Peter Hook: Atmosphere (Live)

The Radio Dept: Lost and Found (Live)

The Radio Dept is a cornerstone band off of the fantastic Swedish label, Labrador. You will find many TSOI posts to Labrador artists, in particular, The Legends and Acid House Kings. In 2010, The Radio Dept put out a very well received dream pop/shoe-gaze-ish album in Clinging to a Scheme.

This is from a show in 2010, but if you missed it, they are playing again soon so get on it!

Download: The Radio Dept: Lost and Found (Live)

Chairlift: Take It Out On Me (Live)

Chairlift is a Colorado sourced outfit that relocated to Brooklyn several years ago.  As has been noted here a time or two, any Male/Female vocal pairing, ala Human League, is almost always a good idea particularly with a synth-pop new wave type sound as Chairlift has, but is one that is seldom effectively exploited. Chairlift do the M/F vocal bit on some tracks but could hit a little harder this area of largely untapped potential before someone gets to it and mucks it up.

Anyway, in 2008 they released Does You Inspire You?, which features some real snappy numbers, one of which in “Evident Utensil”. A live version of “Evident Utensil” is featured here in a previous post (check out the TSOI band pull-down menu )

In 2010, Chairlift were out and about playing Central Park Summerstage opening for The XX and with a surprise free show at Knitting Factory where they featured several new tracks from a new album in the works to presumably drop sometime in 2011, so keep peepers open.

I suspect this track, as performed live here,  is one of the singles off of the new album.

Download: Chairlift: Take It Out On Me (Live)

Tags:

The Monday Set: Scissor Sisters – New York City – 8/25/10

Scissor Sisters recently returned from a minor hiatus with a new album call “Night Work“. Apparently the album was created after the band scrapped 18 months of songwriting for the follow up to 2006′s “Ta-Dah“.  I’m not sure what the album was originally supposed to sound like, but I have to say I’m pretty sure that the wait was worth it. In my opinion, “Night Work” is much more dance and pop oriented than their past work, which I was never the biggest fan of. A solid effort all the way through, I was glad the band focused on the new material for this show.

On stage, the band kept the pace moving right along, with the Sisters’ opening up with the title track from the new album, and keeping the energy high all the way through. I’m pretty sure the stage visuals were impressive though I can only assume, as my view of the set up was obscured due to my vantage point being located in the Fortress of Solitude known as Terminal 5′s Third Floor balcony. But it made for a decent spot to record from.

One of the more interesting moments of the show (for me, at least) was female singer Ana Matronic giving old school industrial bands Ministry, Front 242, and Nitzer Ebb a shout out from the stage before playing “Nightlife.” Very cool to see those types of bands get love from someone so close to the mainstream in the year 2010.

Terminal 5 Aug 25, 2010
1. Night Work
2. Laura
3. Any Which Way
4. She’s My Man
5. Something Like This
6. A Whole New Way
7. Tits on the Radio
8. Harder You Get
9. Running Out
10. Take Your Mama Out
11. Kiss You Off
12. I Don’t Feel Like Dancing
13. Skin Tight
14. Skin This Cat
15. Fire With Fire
16. Paul McCartney
17. Nightlife
Encore
18. Comfortably Numb
19. Invisible Light
20. Filthy/Gorgeous

Download: Scissor Sisters – New York City – 8/25/10 (mp3s) – 133 MB

Sample: Invisible Light (Live)

Bad Religion: Requiem of Dissent, Avalon (Live) Pt 3/3


Bad Religion Part 3: ’00s [The New America to Dissent of Man]

Bad Religion, the California pop-punk band, released Dissent of Man, their 100th Album (kidding, sort of) this year. This being 2010, and since How Could Hell Be Any Worse was released in 1980, that means the Bad Religion have been active for three solid decades.

BR, while in New York took a break from their Dissent support tour, and played three special New York only shows – each dedicated to a different decade in BR’s career, hence TSOI’s special three part series.

BR did deviate from the featured decade sets by including some hits from other decades as well as selections from the new record. This post features two songs the 2000s decade – as performed during the recent New York dates.

It must be handed to Bad Religion for maintaining a consistent popularity while actively churning out releases every couple of years, in particular in a genre not known for longevity. I believe I zoned out after Against the Grain, but it seems pretty clear after having attended these shows, that that was just a starting point for many BR fans. Most songs at all three shows, including the tracks included here,  featured heavy crowd sing-a-long crowd participation – pretty impressive.

’00s [The New America to Dissent of Man] Setlist:
Supersonic
Prove It
Can’t Stop
Heroes & Martyrs
Only Rain
Los Angeles Is Burning
Overture
Sinister Rouge
New Dark Ages
The Devil in Stitches
Meeting of the Minds
Let Them Eat War
Fields of Mars
The Defense
The Resist Stance
Social Suicide
Dearly Beloved
Requiem For Dissent
Epiphany
Don’t Sell Me Short
Avalon
Wrong Way Kids
Infected
American Jesus
Encore:
Along The Way
Sorrow
Fuck Armageddon…This is Hell

Download: Bad Religion: Requiem of Dissent (Live)

 

Download: Bad Religion: Avalon (Live)

Bad Religion: Flat Earth Society, Generator (Live) Pt 2/3

Bad Religion Part 2: ’90s [From Against the Grain to No Substance]

Bad Religion, the California pop-punk band, released Dissent of Man, their 100th Album (kidding, sort of) this year. This being 2010, and since How Could Hell Be Any Worse was released in 1980, that means the Bad Religion have been active for three solid decades.

BR, while in New York took a break from their Dissent support tour, and played three special New York only shows – each dedicated to a different decade in BR’s career, hence TSOI’s special three part series.

It seems pretty clear after having attended these shows, that 1990 was just a starting point for many BR fans. Myself, I believe I zoned out on BR after Against the Grain, which, by the way, if you are looking for a good accessible classic punk record to dip your toes in the genre, one could do much worse than Against the Grain.

All three shows featured heavy crowd sing-a-long crowd participation including this particularly impressive example included here with “Generator”.

’90s [From Against the Grain to No Substance] Setlist:
Gray Race
Hear It
Modern Man
Stranger Than Fiction
Recipe For Hate
Flat Earth Society
The Resist Stance
Man With A Mission
Marked
Struck a Nerve
A Walk
Anesthesia
Avalon
Sowing The Seeds Of Utopia
Turn On The Light
Come Join Us
No Direction
What It Is
Atomic Garden
Wrong Way Kids
Generator
Infected
Encore:
American Jesus
Fuck Armageddon…This is Hell
Sorrow

Download: Bad Religion: Flat Earth Society (Live)

 

Download: Bad Religion: Generator (Live)

Bad Religion: Latch Key Kid, Big Bang (Live) Pt 1/3


Bad Religion Part 1: ’80s [From How Can Hell Be Any Worse to No Control]

Bad Religion, the California pop-punk band, released Dissent of Man, their 100th Album (kidding, sort of) this year. This being 2010, and since How Could Hell Be Any Worse was released in 1980, that means the Bad Religion have been active for three solid decades.

BR, while in New York took a break from their Dissent support tour, and played three special New York only shows – each dedicated to a different decade in BR’s career, hence TSOI’s special three part series.

BR presumably had to relearn dozens of songs for these one-off shows, in particular during the 80s show where many of the songs clock in under two minutes all while supporting a new record. BR did deviate from the featured decade sets by including some hits from other decades as well as selections from the new record. This post and the next two will each feature two songs from each decade – as performed during the recent New York dates.

It must be handed to Bad Religion for maintaining a consistent popularity while actively churning out releases every couple of years, in particular in a genre not known for longevity.  Being an old timer, it is not surprising that the ’80s decade is my personal favorite. 

Here is what a set list looks like if you play a set composed largely of songs clocking in under 2 minutes:

’80s [From How Can Hell Be Any Worse to No Control] Setlist:

Do What You Want
How Much Is Enough?
We’re Only Gonna Die
Slaves
The Resist Stance
Delirium of Disorder
You Are (The Government)
Latch Key Kids
The Devil in Stitches
Frogger
I Want to Conquer the World
Billy Gnosis
Suffer
Sanity
Part III
Avalon
Big Bang
Yesterday
New Dark Ages
Along the Way
21st Century Digital Boy
Wrong Way Kids
No Control
Fuck Armageddon…This is Hell
You
American Jesus
Encore:
Infected
Los Angeles is Burning
Sorrow

Download: Bad Religion: Latch Key Kid (Live)

 

Download: Bad Religion: Big Bang (Live)

The Futureheads: Struck Dumb, Jupiter (Live)


Some people will go “Woooo!” to anything at a concert. No matter what show I’m at, there’s always a portion of the crowd who came there seemingly just for the chance to yell “Woooo!” at every opportunity without facing the consequences that would normally accompany yelling “Woooo!” in, say, a crowded subway car . I don’t even think they know or care who’s playing. Case in point is this here Futureheads’ concert I attended last summer. The Futureheads are a very chatty bunch on stage, engaging the crowd in extended banter in between every song. Pretty much everything they said to crowd was greeting by a round of “Woooo!”s from all directions. From a birthday greeting to one of the bands’ friends (who I’m pretty sure they didn’t know) to a poorly delivered joke that fell flat, the result was a chorus of “Woooo!”s that would’ve made Ric Flair himself proud.

As far as the music itself was concerned, the band sounded very tight. The setlist was heavy on songs from their fantastic “The Chaos” album, which I certainly didn’t mind, as I think it’s the bands’ strongest effort yet. I’ve included two of my favorite cuts from the album, “Struck Dumb” and “Jupiter“.

Music Hall of Williamsburg June 1, 2010
The Chaos
Robot
Heartbeat Song
Walking Backwards
Meantime
Struck Dumb
Decent Days and Nights
I Can Do That
Skip to the End
Stop the Noise
The Connector
The Beginning of the Twist
Carnival Kids
Hounds of Love
Jupiter

Encore:
Sun Goes Down
Work is Never Done
Man Ray

Download: The Futureheads: Jupiter (Live)

 

Download: The Futureheads: Struck Dumb (Live)

The Monday Set: Los Cincos – Los Angeles – 12/4/95

Los Cincos
Jabberjaw
Los Angeles, CA
12/4/95

After the split of seminal hardcore band Honeywell, 2 members went on to form One Eyed Richard and The Goddamn Liars. After one 12″ release, One Eyed Richard changed their name to the moniker Los Cincos and continued to put out releases for the next 5 years. This recording has a couple tracks from the early One Eyed Richard days, plus quite a few that I don’t recognize from what I’m guessing ended up later on various 7″s.

Track listing:
1. Pop-A-Wheelie
2. Unknown Track
3. Unknown Track
4. Unknown Track
5. Unknown Track
6. Unknown Track
7. Unknown Track
8. Unknown Track
9. Unknown Track

Download: Los Cincos – Los Angeles – 12/4/95 – 155 MB

Sample: Pop-A-Wheelie (Live)

Pussycat Trash: Doris

When talking about the UK riot grrrl scene, it was all about Huggy Bear, but for my money I always preferred Pussycat Trash. Although they never had the notoriety and fan base of Huggy Bear, their output between ’92-’95 was unmatched. I think what always appealed to me was that they took their influences not only from the same garage rock bands as everyone else, but also from the C86 scene which gave them a much more unique sound than some of their other contemporaries.

A note about this recording. The Pussycat Trash discography “The Brat Years” was released in 2001, but this track doesn’t come from that disc. Instead it’s a recording I made directly from my copy of “Some Hearts Paid To Lie”, a 2X7″ that features Pussycat Trash, Linus, Comet Gain and Skinned Teen. I swear it sounds better to me than the recording that was released on the discography. Not just because it’s a little louder, but the guitars have some extra “highs” which seem to be missing on the compressed cd recording.

Download: Pussycat Trash: Doris