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	<title>The Sound Of Indie</title>
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	<link>http://www.thesoundofindie.com</link>
	<description>Your Source For Live and Rare Indie Music and Videos</description>
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		<title>Beach House &#8211; Used to Be, Silver Soul (Live)</title>
		<link>http://www.thesoundofindie.com/2010/09/02/beach-house-used-to-be-silver-soul-live/</link>
		<comments>http://www.thesoundofindie.com/2010/09/02/beach-house-used-to-be-silver-soul-live/#comments</comments>
		<pubDate>Thu, 02 Sep 2010 07:01:30 +0000</pubDate>
		<dc:creator>Mark</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[Beach House]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6593</guid>
		<description><![CDATA[Currently riding a wave of buzz in the indie scene, the Baltimore, MD based duo Beach House has been touring to support the release of their third album "Teen Dream." This stop of their tour found them opening up for The National at Brooklyn's Prospect Park. I was not very familiar with their material, but my trusted friend has been trumping them up for some time (More...)]]></description>
			<content:encoded><![CDATA[<p><img style="padding-right: 5px; padding-bottom: 5px; float: left" src="http://www.thesoundofindie.com/archive/2010/20100902/Beach-House-Image-Live-Small.jpg" />Currently riding a wave of buzz in the indie scene, the Baltimore, MD based duo <strong>Beach House</strong> has been touring to support the release of their third album <em>&#8220;Teen Dream.&#8221;</em> This stop of their tour found them opening up for <strong>The National</strong> at Brooklyn&#8217;s <em>Prospect Park</em>. I was not very familiar with their material, but my trusted friend has been trumping them up for some time, so I figured they were worth a listen. From what I&#8217;ve gleaned from my independent research, they are classified as &#8221;dream pop&#8221;. I&#8217;m not quite sure what that means, but it has it&#8217;s own Wikipedia page, so surely it must be a legit genre. They remind me a bit of <strong>Mazzy Star</strong>, though if that statement was subject to debate it may not hold water.</p>
<p>The main thing I noticed about <strong>Beach House</strong> is that they are a quiet band. They are indisputably the quietest band I have recorded live. An unfortunate side effect of this is that people take this as an green light to strike up conversations while the band plays in the background. A sizable number of audience members made a furious bid to get up to the front of the stage when the band started, only to end up blabbing throughout the entire set, pausing only to politely applause between songs. This adversely affected my recording, as I have audio evidence of people conspiring to sneak marijuana into the show. I also learned about several awesome parties that I missed out on. I guess my invite got lost in the mail.</p>
<p>From this show is <em>&#8220;Used to Be&#8221;</em> and <em>&#8220;Silver Soul&#8221;</em>.</p>
<p>Prospect Park 07-27-10</p>
<p><span style="text-decoration: underline">Setlist</span><br />
Better Times<br />
Used to Be<br />
Walk in the Park<br />
Silver Soul<br />
Norway<br />
Master of None<br />
Gila<br />
Zebra<br />
Heart of Chambers<br />
10 Mile Stereo</p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100902/Beach-House-Used-To-Be.mp3">Beach House &#8211; Used to Be (Live)</a></p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100902/Beach-House-Silver-Soul.mp3">Beach House &#8211; Silver Soul (Live)</a></p>
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		<slash:comments>3</slash:comments>
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		<title>His Hero Is Gone &#8211; Chain Of Command (Live Video)</title>
		<link>http://www.thesoundofindie.com/2010/09/01/his-hero-is-gone-chain-of-command-live-video/</link>
		<comments>http://www.thesoundofindie.com/2010/09/01/his-hero-is-gone-chain-of-command-live-video/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 07:01:58 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[His Hero Is Gone]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6582</guid>
		<description><![CDATA[I wasn't properly introduced to Memphis' <strong>His Hero Is Gone</strong> until they put out their split 12" with <strong>Union Of Uranus</strong> back in '98. Their style of crust/metal never appealed to me as much as the <strong>Uranus</strong> side, but <strong>HHIG</strong> live was a whole other story (More...)]]></description>
			<content:encoded><![CDATA[[See post to watch Flash video]
<p>His Hero Is Gone &#8211; Chain Of Command<br />
More Than Music Fest<br />
Columbus, OH<br />
6/28/98</p>
<p>I wasn&#8217;t properly introduced to Memphis&#8217; <strong>His Hero Is Gone</strong> until they put out their split 12&#8243; with <strong>Union Of Uranus</strong> back in &#8217;98. Their style of crust/metal never appealed to me as much as the <strong>Uranus</strong> side, but <strong>HHIG</strong> live was a whole other story as this video attests. As an aside, I&#8217;m really digging Todd&#8217;s <strong>Copout</strong> shirt in this video. </p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100901/His-Hero-Is-Gone-Chain-Of-Command.mp4">His Hero Is Gone &#8211; Chain Of Command (Live Video)</a></p>
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		<slash:comments>1</slash:comments>
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		<title>The Monday Set: Jonathan Fire*Eater &#8211; Cincinnati &#8211; 7/24/97</title>
		<link>http://www.thesoundofindie.com/2010/08/30/jonathan-fire-eater-cincinnati-july-24-1997/</link>
		<comments>http://www.thesoundofindie.com/2010/08/30/jonathan-fire-eater-cincinnati-july-24-1997/#comments</comments>
		<pubDate>Mon, 30 Aug 2010 07:01:24 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[Set]]></category>
		<category><![CDATA[Jonathan Fire*Eater]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6572</guid>
		<description><![CDATA[We had a request a couple months back to post this show for someone who had the great fortune of actually being in attendance. I saw them a couple of times on this same tour, once in Seattle at a bizarre club with the widest yet narrowest stage I have ever seen (More...)]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.thesoundofindie.com/archive/2010/20100830/Jonathan-Fire-Eater-Image-Small.jpg"  /><br />
Jonathan Fire*Eater<br />
Sudsy Malone&#8217;s<br />
Cincinnati, OH<br />
7/24/97</p>
<p>We had a request a couple months back to post this show for someone who had the great fortune of actually being in attendance. I saw <strong>Jonathan Fire*Eater</strong> a couple of times on this same tour, once in Seattle at a bizarre club with the widest yet narrowest stage I have ever seen and also at the <em>400 Club</em> in  Minneapolis. Enjoy this set from what was nearing the end of their reign as one of the most influential bands of the &#8217;90s.</p>
<p><strong>Setlist:</strong><br />
1. No Love Like That<br />
2. These Little Monkeys<br />
3. Search For Cherry Red<br />
4. The Shape of Things That Never Come<br />
5. When Prince Was A Kid<br />
6. Give Me Daughters<br />
7. I&#8217;ve Changed Hotels<br />
8. A Night In The Nursery<br />
9. Station Coffee<br />
10. The Public Hanging of a Movie Star<br />
11. When The Curtain Calls For You</p>
<p>Sample: </p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100830/Jonathan-Fire-Eater-Cincinnati-7-24-97.zip">Jonathan Fire*Eater &#8211; Cincinnati &#8211; 7/24/97</a> &#8211; 260 MB</p>
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		<slash:comments>1</slash:comments>
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		<title>Lush &#8211; Ladykillers (Live Video)</title>
		<link>http://www.thesoundofindie.com/2010/08/27/lush-ladykillers-live-video/</link>
		<comments>http://www.thesoundofindie.com/2010/08/27/lush-ladykillers-live-video/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 07:01:20 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Lush]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6567</guid>
		<description><![CDATA[This is a Lush performance on a UK show called "Hotel Babylon". I wasn't able to find any info about the show, the only info that came up for "Hotel Babylon" was a BBC drama from 2004-2009. That would have been awesome if they wrote Lush into an episode. Maybe it wouldn't have gotten the can had they done that. (More...)]]></description>
			<content:encoded><![CDATA[[See post to watch Flash video]
<p>Lush &#8211; Ladykillers<br />
Hotel Babylon<br />
1994</p>
<p>This is a Lush performance on a UK show called &#8220;Hotel Babylon&#8221;. I wasn&#8217;t able to find any info about the show, the only info that came up for &#8220;Hotel Babylon&#8221; was a BBC drama from 2004-2009. That would have been awesome if they wrote Lush into an episode. Maybe it wouldn&#8217;t have gotten the can had they done that.</p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100827/Lush-Ladykillers.mp4">Lush &#8211; Ladykillers (Live Video)</a></p>
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		<slash:comments>2</slash:comments>
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		<title>Midnight Juggernauts &#8211; Vital Signs, Tombstone (Live)</title>
		<link>http://www.thesoundofindie.com/2010/08/25/midnight-juggernauts-vital-signs-tombstone-live/</link>
		<comments>http://www.thesoundofindie.com/2010/08/25/midnight-juggernauts-vital-signs-tombstone-live/#comments</comments>
		<pubDate>Wed, 25 Aug 2010 07:01:45 +0000</pubDate>
		<dc:creator>Mark</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[Midnight Juggernauts]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6525</guid>
		<description><![CDATA[The bowling alley / concert venue presents a quandary for the concertgoer. While it may provide an interesting environment in which to see a band, there are also many negatives which tend to detract from the concert experience. Chief among these negatives is that half the audience is there to bowl and hang out with their friends, and could care less about whatever artist is performing on any given night. (More...)]]></description>
			<content:encoded><![CDATA[<p><img style="padding-right: 5px; padding-bottom: 5px; float: left" src="http://www.thesoundofindie.com/archive/2010/20100825/20100825.jpg" />The bowling alley / concert venue presents a quandary for the concertgoer. While it may provide an interesting environment in which to see a band, there are also many negatives which tend to detract from the concert experience. Chief among these negatives is that half the audience is there to bowl and hang out with their friends, and could care less about whatever artist is performing on any given night.</p>
<p>This was my first experience at <em>Brooklyn Bowl</em>, one of the two bowling alley / concert venues that I am aware of (<em>Asbury Lanes</em> in NJ being the other). I knew the place was a pretty happening location and always had a steady stream of national acts coming through. Unlike Asbury Lanes, where the bands play on a stage set up over the lanes, Brooklyn Bowl has a stage and floor set up in the back of the venue. This helped to keep most unwanted interlopers from invading my precious concert space. Unfortunately, a group of Ed Hardy / bowling enthusiasts who were at the venue this night set up their base of operations near where I was standing. They conversed very loudly during the show, presumably about various strategies to get laid. But never mind them, I was here to see a show.</p>
<p><strong>Midnight Juggernauts</strong> took the stage, fittingly, a little after midnight. While the band is only a trio, they had enough instruments with them to satisfy a small orchestra. The two non-drumming members took turns switching between keyboards, guitars, basses, vocals, and even drums. While <strong>James Brown</strong> may have been the hardest working man in show business,  <strong>Midnight Juggernauts</strong> may be the busiest on stage. The extremely poor acoustics of Brooklyn Bowl did little justice to the bands&#8217; mix of indie and electro rock, and I doubt the band won any new converts that night, but I can confidently declare they are a band I will be checking out live many more times. And you should too. Hopefully at a legitimate full-time concert venue.</p>
<p>Included here is &#8220;Vital Signs&#8221; from the Crystal Axis and &#8220;Tombstone&#8221; from their debut album Dystopia.</p>
<p>Brooklyn Bowl 07-24-10</p>
<p><span style="text-decoration: underline">Setlist</span><br />
Winds of Fortune<br />
Shadows<br />
Too Many Frequencies<br />
Vital Signs<br />
Tombstone<br />
Cannibal Freeway<br />
This New Technology<br />
Road to Recovery<br />
Into the Galaxy</p>
<p>Ending of an Era</p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100825/MJ-VitalSigns.mp3">Midnight Juggernauts &#8211; Vital Signs (Live)</a></p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100825/MJ-Tombstone.mp3">Midnight Juggernauts &#8211; Tombstone (Live)</a></p>
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		<slash:comments>0</slash:comments>
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		<title>Vic Godard &#8211; Blackpool</title>
		<link>http://www.thesoundofindie.com/2010/08/24/vic-godard-blackpool/</link>
		<comments>http://www.thesoundofindie.com/2010/08/24/vic-godard-blackpool/#comments</comments>
		<pubDate>Tue, 24 Aug 2010 07:01:11 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Misc. Stuff]]></category>
		<category><![CDATA[Vic Godard]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6539</guid>
		<description><![CDATA[Though I came late to the game when it comes to my appreciation of Vic Godard, I've had a great time tracking down a lot of his back catalog. With a musical style varying wildly from release to release, I've always found myself attracted to Vic's jazz standards-esque songs from the early 80's. (More...)]]></description>
			<content:encoded><![CDATA[<p><img style="padding-right: 5px; padding-bottom: 5px; float: left" src="http://www.thesoundofindie.com/archive/2010/20100824/20100824.jpg" />Though I came late to the game when it comes to my appreciation of <strong>Vic Godard</strong>, I&#8217;ve had a great time tracking down a lot of his back catalog. With a musical style varying wildly from release to release, I&#8217;ve always found myself attracted to <strong>Vic&#8217;s</strong> jazz standards-esque songs from the early 80&#8242;s. In his latest endeavor, Vic teams up with author <strong>Irvine Welsh</strong> to release this EP from their 2003 musical of the same name. I am first and foremost not a &#8220;musicals&#8221; fan, but I&#8217;m really enjoying this track. <strong>Vic</strong> also has a new LP coming out October 11th, so be on the lookout for that as well.</p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100824/VC-Blackpool.mp3">Vic Godard &#8211; Blackpool</a></p>
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		<slash:comments>0</slash:comments>
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		<title>Faster Pussycat &#8211; Bathroom Wall (Live)</title>
		<link>http://www.thesoundofindie.com/2010/08/20/faster-pussycat-bathroom-wall-live/</link>
		<comments>http://www.thesoundofindie.com/2010/08/20/faster-pussycat-bathroom-wall-live/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 07:01:49 +0000</pubDate>
		<dc:creator>Avalanche LEED AP</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[Faster Pussycat]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6295</guid>
		<description><![CDATA[I can only think of one other time when I have been so compelled to go out and see a band that is firmly planted in the Heavy Metal/Hair Metal arena.  I did see <strong>Van Halen</strong> with <strong>David Lee Roth</strong> a few years ago, but the ultimate decision to go was heavily influenced by others. The sole non-<strong>DLR</strong> exception is the recent <strong>Faster Pussycat</strong> show.  Admittedly though, I probably would not have bothered if I didn't know that <strong>Taime Downe</strong> was a solid contributor to <strong>Pigface</strong>.  (More...)]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thesoundofindie.com/wp-content/uploads/2010/08/fasterpussycat2.jpg"><img src="http://www.thesoundofindie.com/wp-content/uploads/2010/08/fasterpussycat2-1024x819.jpg" alt="" width="400" height="350" class="alignleft size-large wp-image-6415" /></a>I can only think of one time when I have been so compelled to go out and see a band that is firmly planted in the Heavy Metal/Hair Metal arena.  <strong>Guns and Roses</strong> &#8211; once during the second run of the &#8216;Use Your Illusion&#8217; Tour and once a few months before <em>Chinese Democracy</em> was released (<a href="http://www.thesoundofindie.com/tag/guns-n-roses/"> see post</a>)- is the only metal band that I went on my own exclusive volition to pay good money to see.  The sole non-<strong>GnR</strong> exception is the recent <strong>Faster Pussycat</strong> show.  Admittedly though, I probably would not have bothered if I didn&#8217;t know that <strong>Taime Downe</strong> was a solid contributor to <strong>Pigface</strong>.  [For the sake of full disclosure, I did also see <strong>Van Halen</strong> with <strong>David Lee Roth</strong> a few years ago, but the ultimate decision to go was under duress or at least very heavily influenced by others.]</p>
<p>With most of the titans of the metal genre (the successful ones anyway) becoming bloated and progressively uncool (<strong>Motley Crue, Metallica, GNR</strong>, etc) it was nice to see <strong>Faster Pussycat</strong> have the appropriate &#8216;look&#8217; along with drug-induced sunken faces to lead me to believe these dudes are the real thing.  Who cares if the vocalist <strong>Taime Downe</strong> is the only original member? The team who were up there nicely fit the bill of what a heroin-chic glam-metal band should look like.  Furthermore their sound was as filthy as their look and a much improvement over the 80s recorded output (as I recall it anyway).  Good show.  </p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100820/FPC-BathroomWall.mp3">Faster Pussycat &#8211; Bathroom Wall (Live)</a></p>
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		<slash:comments>3</slash:comments>
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		<title>The Moools &#8211; いるいらない (Live)</title>
		<link>http://www.thesoundofindie.com/2010/08/19/the-moools-%e3%81%84%e3%82%8b%e3%81%84%e3%82%89%e3%81%aa%e3%81%84-live/</link>
		<comments>http://www.thesoundofindie.com/2010/08/19/the-moools-%e3%81%84%e3%82%8b%e3%81%84%e3%82%89%e3%81%aa%e3%81%84-live/#comments</comments>
		<pubDate>Thu, 19 Aug 2010 07:01:20 +0000</pubDate>
		<dc:creator>Jbird</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[The Moools]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6399</guid>
		<description><![CDATA[Tokyo's <strong>The Moools </strong>opened on Wolf Parade's recent North American tour.  They are well-known to aficionados of the Pacific Northwest music scene, having been strongly associated with K Records and opening for <strong>Modest Mouse</strong> and <strong>Quasi</strong> at various times. (More...)]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thesoundofindie.com/wp-content/uploads/2010/08/L1000141.jpg"><img class="alignnone size-large wp-image-6402" src="http://www.thesoundofindie.com/wp-content/uploads/2010/08/L1000141-1024x730.jpg" alt="" width="574" height="409" /></a></p>
<p>Tokyo&#8217;s <strong>The Moools </strong>opened on <a href="http://www.thesoundofindie.com/2010/07/19/the-monday-set-wolf-parade-newport-ky-71610"><strong>Wolf Parade&#8217;s</strong></a> recent North American tour.  They are well-known to aficionados of the Pacific Northwest music scene, having been strongly associated with K Records and opening for <strong>Modest Mouse</strong> and <strong>Quasi</strong> at various times.  The title of this song, the closer from their set in suburban Cincinnati, is &#8220;<em>I Do Not Need That</em>&#8221; (at least, according to Google Translate).  It starts off more quietly than the other songs they played that evening, but ends up in the chaotic sprawl that seems characteristic of their style.</p>
<p>Front man <strong>Yasuaki Sakai</strong> won over the crowd halfway through the set when he explained, slowly and in halting English, that they had come from a very long way away, and that their luggage was very heavy, and they had carried it all the way from Japan, so&#8230;&#8221;please, buy our stuff.&#8221;  He repeated this last line several times.</p>
<p>Download: <a href="http://thesoundofindie.com/archive/2010/20100819/Moools-IDoNotNeedThat.mp3">The Moools &#8211; I Do Not Need That (Live)</a></p>
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		<title>Post 1,000!</title>
		<link>http://www.thesoundofindie.com/2010/08/17/post-1000/</link>
		<comments>http://www.thesoundofindie.com/2010/08/17/post-1000/#comments</comments>
		<pubDate>Tue, 17 Aug 2010 07:01:58 +0000</pubDate>
		<dc:creator>Kevin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6488</guid>
		<description><![CDATA[Crack open the Boones because this is The Sound of Indie's 1,000th post! Long before iPhones, and Androids, and Twitter, there was my simple idea for a daily mp3 blog that would feature rare music that I had collected over the years. (More...)]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thesoundofindie.com/wp-content/uploads/2010/08/1000-Image.jpg"><img src="http://www.thesoundofindie.com/wp-content/uploads/2010/08/1000-Image.jpg" alt="" title="1,000th Post!" width="600" height="250" class="alignleft size-full wp-image-6492" /></a><br />
<strong>Crack open the Boones because this is The Sound of Indie&#8217;s 1,000th post! </strong></p>
<p>Long before iPhones, and Androids, and Twitter, there was my simple idea for a daily mp3 blog that would feature rare music that I had collected over the years. Along the way, I started featuring videos, then added a writer, then started featuring entire concerts, then added a few more writers, and here we are nearly 5 years later. And although I personally think that TSOI should be one of the most read sites out there, the people that do stumble across our little corner of the net are extremely appreciative, often even sending in contributions of their own. All I can say is I owe an extreme debt of gratitude to the 4 people who have joined me in posting over the past couple of years. Frankly, if it wasn&#8217;t for them taking on such a huge part of the load and contributing such great content, this site would have never seen it&#8217;s 1,000th post. I also wanted to thank the readers who have consistently come back, commented and provided me with some amazing music that I would have never gotten otherwise (I&#8217;m looking at you James and Steve). </p>
<p>Here&#8217;s to the next 1,000.</p>
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		<title>The Monday Set: Faith No More &#8211; Brooklyn &#8211; 7/5/10</title>
		<link>http://www.thesoundofindie.com/2010/08/16/the-monday-set-faith-no-more-brooklyn-7510/</link>
		<comments>http://www.thesoundofindie.com/2010/08/16/the-monday-set-faith-no-more-brooklyn-7510/#comments</comments>
		<pubDate>Mon, 16 Aug 2010 07:01:29 +0000</pubDate>
		<dc:creator>Mark</dc:creator>
				<category><![CDATA[Live]]></category>
		<category><![CDATA[Set]]></category>
		<category><![CDATA[Faith No More]]></category>

		<guid isPermaLink="false">http://www.thesoundofindie.com/?p=6459</guid>
		<description><![CDATA[Faith No More was a band I was obsessed with for the majority of my formative years, since they released 1992's "Angel Dust" (the greatest hard rock album of all time, at least in this writer's humble opinion). I used to drop copious amounts of money on every import, single, and bootleg that my local CD shop owner could order, amassing quite an impressive collection in the end. (More...)]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thesoundofindie.com/wp-content/uploads/2010/08/FNM-Image.jpg"><img class="size-medium wp-image-6477 alignnone" title="Faith No More" src="http://www.thesoundofindie.com/wp-content/uploads/2010/08/FNM-Image-300x117.jpg" alt="" width="300" height="117" /></a></p>
<p>Faith No More<br />
Williamsburg Waterfront<br />
Brooklyn, NY<br />
7/5/10</p>
<p><strong>Faith No More</strong> was a band I was obsessed with for the majority of my formative years, since they released 1992&#8242;s <em>&#8220;Angel Dust&#8221;</em> (the greatest hard rock album of all time, at least in this writer&#8217;s humble opinion). I used to drop copious amounts of money on every import, single, and bootleg that my local CD shop owner could order, amassing quite an impressive collection in the end. Unfortunately, due to my parents&#8217; restrictive anti-school night concertgoing policies and <strong>FNM&#8217;s</strong> policy of only playing the Northeast on weekdays, I was only able to catch them live on their final tour in 1997, when they finally played NYC and Philly on a weekend. It was awesome. Making it extra awesome was getting to watch openers <strong>Limp Bizkit</strong> get booed off stage halfway through their set at the Philly show. <strong>Faith No More</strong> broke up shortly afterwords, and we started seeing other people, moved on with our lives and expected to never see each other again.</p>
<p>Fast forward to early 2009. From out of nowhere (pun intended), <strong>Faith No More</strong> put out a press release stating that they were back together and preparing to tour the world. I was ecstatic. Then I waited&#8230;and waited&#8230;and waited for North American dates. Finally after a year of seeing the band post shows for every corner of the globe except for North America and Antarctica, I got not one, but TWO dates in my Brooklyn neighborhood. I kind of expected them to announce a full North American tour, but it turned out in the end that Coachella, 3 nights in San Fran, 2 Brooklyn dates and 1 night in Philly were all that their homeland was getting. I thought it was kind of a dick move, but what do I care, <strong>Faith No More</strong> was playing 2 shows in Brooklyn!</p>
<p>I was rewarded handsomely for my dedication. The two Brooklyn shows featured two radically different setlists. <strong>Faith No More</strong> is one of the only bands (in the non-dirty hippy jam band category) that is actually capable to not using a setlist and just playing whatever they feel like. The sets focused on a couple songs from each era, with a healthy dose of the wacky cover songs the band is known for (see <strong>Michael Jackson&#8217;s</strong> <em>&#8220;Ben&#8221;</em>, the <strong>Bee Gees&#8217;</strong> <em>&#8220;I Started a Joke&#8221;</em>). Vocalist <strong>Mike Patton</strong> was his usual spastic, over the top self, and his stage banter is 2nd only to the <strong>Jesus Lizards&#8217; David Yow</strong> in high-larity. I especially appreciated him referring to the audience as a bunch of &#8220;fucking hipsters&#8221;.</p>
<p>Unfortunately, I was only able to obtain audio evidence for the July 5th show, and even then I missed the encore due to dead batteries in my recorder (which seems to be a bit of a pattern around here lately). So now I present to you, in it&#8217;s entirety&#8230;sort of, <strong>Faith No More</strong> July 5th <em>Williamsburg Waterfront</em>:</p>
<p><span style="text-decoration: underline;">July 2nd Setlist</span><br />
Reunited<br />
From Out of Nowhere<br />
Land of Sunshine<br />
Caffeine<br />
Evidence<br />
Surprise! You&#8217;re Dead!<br />
Last Cup of Sorrow<br />
Cuckoo for Caca<br />
Easy<br />
Midlife Crisis<br />
Gentle Art of Making Enemies<br />
Ashes to Ashes<br />
I Started a Joke<br />
King for a Day<br />
Epic<br />
Just a Man</p>
<p>Stripsearch<br />
Be Aggressive</p>
<p>We Care a Lot</p>
<p><span style="text-decoration: underline;">July 5th Setlist</span><br />
Midnight Cowboy<br />
The Real Thing<br />
Be Aggressive<br />
Land of Sunshine<br />
The Crab Song<br />
Gentle Art of Making Enemies<br />
Last Cup of Sorrow<br />
Chinese Arithmetic<br />
Easy<br />
Midlife Crisis<br />
Digging the Grave<br />
Ashes to Ashes<br />
Ben<br />
King for a Day<br />
Epic<br />
Just a Man</p>
<p>I Started a Joke<br />
As the Worm Turns<br />
We Care a Lot</p>
<p>Stripsearch</p>
<p>Sample: </p>
<p>Sample: </p>
<p>Download: <a href="http://www.thesoundofindie.com/archive/2010/20100816/FNM-Brooklyn-7-5-10.zip">Faith No More &#8211; Brooklyn &#8211; 7/5/10</a> &#8211; 499 MB</p>
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