Live Archive

Morrissey – Every Day Is Like Sunday (Live Video)

Morrissey – Every Day Is Like Sunday
The Late Late Show
August, 2004

I generally don’t think of the words “Morrissey” and “banjo” in the same sentence but that all changed when I saw this clip. I didn’t see him on the tour for You Are the Quarry so I don’t know if it was commonplace for him to perform with, or sans, banjo. I’m curious if this was a unique line-up specifically for The Late Late Show. Regardless, it certainly give the track a unique sound compared the album version I’m so accustomed to.

Download: Morrissey – Every Day Is Like Sunday (Live Video)

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Best Coast – That’s The Way Boys Are (Live)

Best Coast put out an EP last year, which, is becoming the standard somewhat low-commitment way for an indie-band to generate some buzz and to shop around for a label deal. The Make You Mine EP features 60′s style girl-band type songs drenched in shoe-gazer guitar feedback – chocolate and peanut butter to me.

This past Tuesday, Best Coast released their debut full length album Crazy for You on Mexican Summer records. The Shoe-gaze feedback of the EP was traded in for “Wall-of-Sound” type echo-y production with the guitar feedback sheen all but gone. Oh well. It still sounds good and the songs are good even with a bit less ‘peanut butter’ than I would like.

This is a Lesley Gore cover that articulates Best Coast’s influences pretty clearly as performed recently at South Street Seaport. This show is the first (or among the first) performances with recently poached drummer from the Vivian Girls.

Also check out TSOI post and mp3 from a Best Coast show back in April.

Download: Best Coast – That’s The Way Boys Are (Live)

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Neon Indian – Should’ve Taken Acid With You, 6699 (Live)

Neon Indian is a bit of a darling of the Pitchfork set, with their album “Psychic Chasms“ making several end-of-the-year best of lists in 2009. I must confess that I was never totally enamored with Neon Indian’s recorded output. After seeing the band live however, I have been forced to re-think my original assessment. I was expecting to encounter a self-indulgent exercise in electronic noise, but instead I was treated to an fantastic rock show. Drums and guitar, while not a prominent part of the album, were front and center, adding a different feel to the songs. Much like on the album, the vocals took a backseat to the music, with the mic turned way down. That’s not to say it was a bad thing. Though it was really hard to understand what they were saying in between songs.

Psychic Chasms“ consists of about 8 or 9 songs and various interludes clocking in at just over 30 minutes. Naturally, I was intrigued as to how the band planned on filling up the 50 minute or so set time normally afforded a headliner. I figured to hear every song on the album, plus a new song or two, maybe a cover. Neon Indian went for a bit of a different approach, using interludes and soundscapes (including electronically manipulated snippets of obscure classic rock songs) to go from one song to the next and maximize the length of time between songs while still being entertaining. They also threw in a song that was recorded for their album but left off the final tracklisting (“Sleep Paralasyst”) and had an encore consisting of new songs from bandleader Alan Palomo’s VEGA project.

Included from the show is  “Should’ve Taken Acid With You” and my personal favorite, the melancholy “6699

Neon Indian, Music Hall of Williamsburg, 06-18-10

Setlist
Local Joke
Terminally Chill
Mind, Drips
Psychic Chasms
Should’ve Taken Acid with You
Sleep Paralasyst
6669 (I Don’t Know If You Know)
Deadbeat Summer
Ephemeral Artery

Download: Neon Indian – Should’ve Taken Acid With You (Live)

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Download: Neon Indian – 6699 (Live)

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Universal Order of Armageddon – Flux (Live Video)

Universal Order of Armageddon – Flux
New Orleans, LA
1994?

Generally we post a live set on Monday, but today I wanted to get something up in the wake of all the feedback about how awesome the Universal Order of Armageddon show(s) on the east coast were this past weekend. For how great the Southern California punk rock scene was back in the early-to-mid ’90s, there have been far too few reunion shows of these great bands. On the contrary, the east coast has been KILLING me with reunion after reunion of bands I would love to have seen play again. Recent performances by 1.6 Band, Rorschach, and this past weekend, UOA, have all been reported to be absolutely amazing and all have been missed by me. Granted I was lucky enough to have caught UOA on their first go-around nearly 20 (20!?!) years ago, but I would love to have been at Death By Audio last night to witness it. So I’m hoping the reunion show bug will hit SoCal in the very near future. I’m looking at you Gravity Records bands (Yeah, I know, technically UOA is a Gravity Records band, but you know what I mean).

Download: Universal Order of Armageddon – Flux (Live Video)

Casiotone for the Painfully Alone – Cold White Christmas (Live)

When I was first introduced to Casiotone for the Painfully Alone in 2002 or so, I immediately thought that I had stumbled upon an outfit so right for the times that there was no way that it was going to remain under the radar for very long. For sure there was no better distillation of the youthful malaise and disenchantment of what is often called the ‘Lost Generation’. Alas, as far as I know anyway, this one-man band didn’t take off like I expected, even after releasing ever stronger albums over the past 8 years.

Well, it looks like that 2010 is going to be the final year for CftPA, so be sure to catch him whenever possible. During the set of a recent show in Brooklyn, Owen announced that after another tour in October that this was to be the last time that he will be performing as CftPA. I am sad to see this project go but he has left probably the strongest body of work of nearly anyone over the past 10 years and look forward to his next endeavor.

Be sure to check out the TSOI archives for an exclusive interview and live tracks of shows past.

There are few things more unholy than a Christmas song in the summer. Here is “Cold Christmas” as performed at a recent show during the hottest summer on record.

July 18, 2010 CtftPA Setlist:
Optimist Vs. The Silent Alarm (When The Saints Go Marching In)
Man O’ War
I Love You Creedence
White Corolla
White on White
Lesley Gore on the T.A.M.I. Show
Panda Days
Traveling Salesman’s Young Wife Home Alone on Christmas In Montpelier, VT
Scattered Pearls
New Year’s Kiss
Cold White Christmas
Bobby Malone
Young Shields
Streets of Philadelphia
White Jetta

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Download: Casiotone for the Painfully Alone – Cold White Christmas (Live)

The Rondelles – Mission: Irresistible (Live)

Washington DC’s Teenbeat Records, one of the all-time best and now longest running indie labels out there, hosted a small showcase tour celebrating 26 years of continual raddness. Unrest, Tuscadero and others were brought out of hibernation making it among the major music events of the year. For me though, the highest of the many highlights might be the reformation of The Rondelles, a band I saw several times at Brownies, back in the day. I caught their first (pre-Teenbeat showcase) show at the Rock Shop in Brooklyn – which turned out to be the first (unofficial) show hosted by the new venue.

This show, I suspect, might have been simply an opportunity for a first rehearsal.  I don’t think they have performed together, formally or informally, before this show since the many (8 or so) years they disbanded.   Needless to say, the set was a bit ramshackle but the audience, if not the band, had a great time.  I am still thanking me lucky stars for catching wind of the last-minute announced show.

In the coming weeks, TSOI will feature live tracks from the Teenbeat (Unrest OMG!!) showcase (July 9 NYC show only), so stay tuned!

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Download: The Rondelles – Mission: Irresistible (Live)

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The Monday Set: Wolf Parade – Newport, KY – 7/16/10


Wolf Parade
Southgate House
Newport, KY
7/16/10

Well, sports fans, there are few bands out there with serious indie credibility that are more popular these days than Wolf Parade.  Avalanche’s recent post on Frog Eyes highlighted the way WP‘s members have been keeping busy with innumerable side projects with increasingly ridiculous names.* But they’ve just released a new album, Expo 86, and embarked on a national tour.

Their new songs feature the same unusual keyboards, staccato guitars, and syncopated rhythms seen on their two previous albums.  If anything, they have returned to some of the style of their first album, Apologies to the Queen Mary, abandoning some of the more ornate aspects from At Mount Zoomer.  Personally, I think this is a positive development — in the past, I’ve decried the affliction which I have termed “Yes-itis”: proggy early-1970′s-type baroque orchestrations, unnecessarily long “rock opera”-style songs, and (especially unforgivable), noodling on keyboards to no purpose — and Wolf Parade seem to have realized this, too.  I don’t know if the change is due to the departure of Hadji Bakara for grad school, but he was responsible for playing the parts I tended to find most objectionable.  In recent interviews, WP has acknowledged that they might have been spread a bit thin with all the side projects, so maybe greater concentration also helped them create tighter, more effective songs.

At the risk of making this post even longer, I’ll just say a few words about the show.  The venue, Southgate House, prides itself as being the birthplace of the inventor of the Tommy gun.  Many online reviews praise the excellent sound, but I actually found that moving ten feet either right or left on the main floor made a substantial difference — too boomy in the middle, too tinny off to the sides.  I think I found the sweet spot, but listeners will have to judge for themselves.  I did like the balcony seating (not just for VIP’s!).

The band was deeply hung-over, but they were troopers in proper professional rock-star style.  There were recurrent feedback problems, apparently from Spencer Krug’s mike, but it was not enough to ruin the show.  Halfway through the set, Dan Boeckner clearly wanted a cigarette badly (beginning of “Ghost Pressure”); signs throughout the club claimed that the band had requested no smoking, which turned out not to be the case.  Finally, despite Avalanche’s warnings, my batteries failed at the beginning of the encore.  The set therefore includes only the first twelve songs.

*Which is totally different from being called “Avalanche” or “Jbird.”

Setlist:
1. What Did My Lover Say (It Always Had to Go This Way)
2. Language City
3. Dear Sons and Daughters of Hungry Ghosts
4. Palm Road
5. Oh You, Old Thing
6. This Heart’s on Fire
7. Ghost Pressure
8. I’ll Believe in Anything
9. Fine Young Cannibals
10. Two Men in New Tuxedos
11. Yulia
12. Kissing the Beehive

Sample:

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Download: Wolf Parade – Newport, KY – 7/16/10 – 339 MB

The Human League – Love Action (I Believe In Love) (Live Video)

The Human League – Love Action (I Believe In Love)
Multi-Coloured Swap Shop
BBC1
1981

Yesterday I came across a band called “Care Bears on Fire” and immediately thought “What the fuck is that?” Apparently they are teen band that has gotten quite a bit exposure through appearances on Nickelodeon. That’s precisely what’s wrong with kids these days. Take this Human League appearance on the BBC children’s program “Multi-Coloured Swap Shop” back in ’81. Here is Philip Oakey singing about being a husband and a lover and how he likes watching your “love action.” Now that’s the music kids really need to be listening to. That’s the era that I grew up in and I turned out nearly perfect. It’s time to stop filling kids minds with absolute crap like Care Bears on Fire and start them on a serious dose of synthpop Philip Oakey style.

Download: The Human League – Love Action (I Believe In Love) (Live Video)

Frog Eyes – The Sensitive Girls (Live)

Like nearly every band in Canada, Frog Eyes has some connection to Wolf Parade.  It seems, to me anyway, that if a Canadian band is not in the Wolf Parade sphere-of-influence (Handsome Furs, Swan Lake, Sunset Rubdown, etc) than it must be part of the equally prolific Broken Social Scene sphere.  I just hope that the apparent musical inbreeding stays platonic, because if not, look out!, you will see some weird looking progeny over there on our northern boarder in the coming years.

I can’t remark too much on Frog Eyes other than a friend of mine is a mega-fan and enticed me into checking them out live by indicating that they pattern themselves after Skinny Puppy.   I saw no indication of any Skinny Puppy influence but maybe the remark was made because both are from British Columbia and bands can’t help but mention the local predecessors from their region as a matter of course.  Anyway, what I do know, and what some might find interesting,  is that this particular show also included numbers from one of Carey Mercer’s other (!) projects, Blackout Beach.

I liked the show and also like the opening band Beach Fossil, which I will feature in the coming days.

This is a live version of a track from Frog Eye’s recently released and well received album, Paul’s Tomb: A Triumph.

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Download: Frog Eyes – The Sensitive Girls (Live)

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Built To Spill – Untrustable (Live Video)

Built To Spill – Untrustable
RKCNDY
Seattle, WA
4/6/97

Built To Spill is one of those critically acclaimed bands that everyone seems to love but they’ve never struck me as being either great or terrible. I’ve seen them live a handful of times and they certainly aren’t boring, but there’s something about them that’s never made me think “I really need to go out and grab their records.” I’m still waiting to be convinced otherwise. Regarding this video, I got it in a trade years ago, not long after it was originally shot and right after their major label debut. I’ve traded it with a handful of people, but I don’t believe it’s been widely circulated.

Download: Built To Spill – Untrustable (Live Video)